The Plastic blog
August 28th
album anniversaries
By Plastic · Published


Metallica • S&M2
Released 28 August 2020 · 6 years old
Twenty years after their initial collaboration, the band reunited with the San Francisco Symphony to celebrate the opening of the Chase Center. This massive live project breathes new life into classic thrash anthems, proving that the raw aggression of heavy metal finds a surprising, cinematic home within a full orchestral arrangement.
Recorded over two nights in 2019, the production captures a grand, sweeping scale that highlights the intricate melodies hidden beneath the distortion. It feels like a victory lap for a group that has spent decades pushing the boundaries of what a metal band can achieve on a global stage.
Devo • Q: Are We Not Men? A: We Are Devo!
Released 28 August 1978 · 48 years old
Brian Eno produced this debut, famously pushing the band to record in a way that felt almost robotic and detached. The result is a jagged, high-energy masterpiece that turned rock music inside out with its peculiar obsession with de-evolution.
Everything about the record feels like a transmission from a strange, synthesized future. Released in 1978, it captures the frantic, nervous energy of the post-punk era while utilizing quirky electronics that set the template for the new wave movement.
The Weeknd • Beauty Behind The Madness
Released 28 August 2015 · 11 years old
Global superstardom arrived for the artist with this collection, which features the massive, synth-driven hit "Can't Feel My Face." It serves as a polished bridge between his earlier, darker underground aesthetic and the glossy, radio-ready pop landscape of the mid-2010s.
Max Martin’s influence is all over this record, bringing a crisp, high-budget sheen to the production. The result is a moody, late-night atmosphere that still manages to dominate the charts with infectious hooks and heavy, trap-influenced percussion.
Foals • What Went Down
Released 28 August 2015 · 11 years old
The band retreated to a remote converted mill in the South of France to record this project, aiming to capture the raw, volatile energy of their live performances. This decision resulted in some of the heaviest, most aggressive guitar work in their entire discography.
Produced by James Ford, the record leans into a dense, cinematic soundscape that balances stadium-sized anthems with moments of quiet, melancholic introspection. It marks a definitive shift toward a more muscular, high-fidelity aesthetic that feels both urgent and meticulously crafted.
Mötley Crüe • Dr. Feelgood
Released 28 August 1989 · 37 years old
Released in 1989, this record represents the commercial peak of the band's career. It features a polished production style that defined the late eighties arena rock sound and remains their only studio effort to reach the top of the Billboard 200 chart.
Tracks like the title song and "Kickstart My Heart" showcase the gritty, high-energy hard rock aesthetic that solidified the group's status as global superstars. The collection serves as a definitive example of the era's excess and musical ambition.
Marvin Gaye • Let's Get It On
Released 28 August 1973 · 53 years old
Passion radiates from every groove of this record, marking a bold shift from the social commentary of earlier work toward raw, uninhibited intimacy. It captures a singular moment where vulnerability meets undeniable groove, anchored by the legendary vocal layering that defines the artist's signature sound.
Motown production techniques reached a lush, atmospheric peak here, utilizing smooth arrangements that perfectly complement the heavy focus on desire and devotion. The instrumentation feels effortless and warm, creating a timeless sonic landscape that remains the gold standard for soul music.
How to track album anniversaries in your collection
Give the records on your shelf another spin. Plastic helps you organize your vinyl and CDs, sync your collection with Discogs, and discover album anniversaries and the stories behind them. Explore new releases and rediscover something you already own.
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