Let All That We Imagine Be The Light

Shirley Manson and the band lean into their most abrasive and introspective tendencies here, crafting a record that feels like a jagged mirror held up to modern anxiety. Tracks like 'Sisyphus' and 'The Day That I Met God' showcase a lyrical sharpness that cuts through the noise, proving they haven't lost their signature bite.

Production remains dense and layered, blending industrial grit with the polished pop sensibilities that defined their nineties dominance. It sounds like a band comfortable in their own skin, utilizing a mix of distorted electronics and heavy guitars to create a soundscape that is both haunting and undeniably catchy.